The Shola we met


After visiting the Photo-garage some months ago, our next trip was to Shola Animashaun Photography at Ikeja, last week. The visit was full of learning, just like the former.

We got to the studio around 11 am, Thursday morning, and were welcomed by some students in training during a lighting painting practice session. The students painted different shapes like the cross, rectangle and so on.

We waited for some minutes for the CEO himself to arrive. The 6ft plus award-winning photographer was not looking too well, and he really wasn’t. Shola might have been exhausted from enormous photography work demands.

The meeting started with a short introduction of everyone present. And followed by our series of ‘burning questions’ as Shola later described it on his facebook page.

The first question was by our tutor, Mr Toye, on how Shola started his photography career and his experience so far. It was as though, we were listening to the reading of a movie script. How will it not be? A man is asked a question as such, and one would expect him to summarize a journey of over a decade in some minutes.

Everyone has their own stories, and Shola was not different. If you think, everything Shola achieved today is by chance, you need to meet this man. He actually worked for what he has. He narrated some menial jobs he had to do to make a living before starting photography. Shola really worked hard to develop his photography skill right from the beginning. He was not lucky to have a photography academy he could learn from, or a willing-to-teach photographer that put him through.
Shola was however fortunate to be introduced to someone who will later teach him some basic lighting techniques. For most of these times. Shola couldn’t understand what ISO, Aperture, or Shutter Speed meant. For few years, starting in photography, he couldn’t navigate through the exposure triangle, but found solace shooting in Auto mode.

Shola is happily married to his ‘girlfriend’ as he introduced her. His kids won’t just let him be, as they interrupted him at intervals, during his meeting. Shola is very sensitive to noise, it really disturbed him, and he would caution his students or his kids most times. There was even a time he got so disturbed, that he asked one of his students to get his child busy with an academic work.

Shola was very friendly with his students of both genders, and I imagined if they were a family, and indeed they were. The loving Mrs. Animashaun, who seemed to be reserved, is also a tutor at the academy. She teaches the use of the Photoshop software. The funny Shola said he only taught her how to remove pimples, but she has now become a master.

We eventually moved our meeting outside the studio, to the premises as Shola couldn’t tolerate the noise level in the studio anymore. Shola further elaborated on his works and plans in photography and his family as well. A perception that Shola’s success is tied to the goodwill of his brother, is wrong. As far as there may be people you think will help you, Shola believes one should not expect such help, and he admonished us to the same. This has been his guiding principle so far, as he said, “Never expect anyone to help you”, but seek your help only from God, the Almighty. The meeting ended with a group picture taken by one of Shola’s kids, Tobiloba, using Shola’s mobile phone. Tobiloba is actually a photographer in the making.

Sodeeq Akorede

Plan to take a photography course at eloPhotos Academy.
Visit eloPhotos Academy for a detailed list of options of classes to take. It would be the best investment you’ll make in your journey to photography greatness.
Twitter: @elophotos @eloacademy
Instagram: @elohotos.studios @elophotosacademy
Facebook: Elophotos Studios

Please play your part


Who says the only thing we do at Elophotos academy is work, work and work? Of course not! If it were, we would all be dull by now because all work and no play makes Jack a dull boy. One of those ways we chill off is seeing movies and not just for the fun of it but also for the learning part of it.
Last week was movie time again and we all agreed to watch the new movie Dry; written, produced and directed by Stephanie Linus. Yeah, like you too am not a fan of those crappy Nollywood films, but I must let you know producers like Stephanie, Kunle Afolayan and a couple of others are changing the game and I think we need to encourage and support our own. For someone like me who is not a fan of Hollywood’s film tricks, animation and high end video effects; whenever I have the opportunity of seeing good stuff from Nigeria I grab it. I believe movies are (and should be used as) a tool for social change. Films are to entertain, educate, correct and shape the mind of the populace in the right frame.
With veteran actors and actresses like Liz Benson, Olu Jacobs, Hauwa Maina, Rekiya Attan, Hakeem Hassan, Tijani Faraga, Raham Hassan and an hilarious comic role played by ‘klint the drunk’, DRY addressed and brought to the surface various issues daring us to the face as a nation which we swept under the carpet as if nothing is wrong. It beckons on the government to wake up from this sleep of corruption to its responsibilities, to equip our primary health centres, and save our teenage girls from early marriage. The movie also challenged some mundane cultural beliefs passed across to us and upheld by some due to selfish motives and ignorance.
After watching the movie, I suddenly realized how urgent it is to start playing our parts in making sure that our country changes. My eyes were widely opened to the fact that delaying a little longer could cost a life; and maybe a life of someone very close which might cause a lifetime pain knowing that it was a death you could have averted.
Stephanie has done well to play her own part through her film, what is yours? Please start playing it because I might be the next victim to need it.

Toye Peters

Plan to take a photography course at eloPhotos Academy.
Visit eloPhotos Academy for a detailed list of options of classes to take. It would be the best investment you’ll make in your journey to photography greatness.
Twitter: @elophotos @eloacademy
Instagram: @elohotos.studios @elophotosacademy
Facebook: Elophotos Studios

The Master Plan


Prior to this week, I learnt that the only way to maximize my time at elophotos is to have a well set up “growth plan” for myself.  We do a lot of things at Elophotos in a week; the work load and activities we involve ourselves in can be too enormous for our minds to focus. Sometimes, these activities are assigned without daily written guide lines to keep us in check and we seem to lose courage and sight of what we have come to do along the way. Though a lot of things we do at elophotos from lectures to shooting to events and to editing are to help us learn and achieve that which we have come to do at elophotos, but I noticed I /we easily lose sight of it when we don’t have a well written plan which includes our daily objectives. Many times, we just try to get ourselves to do a bit of shooting, just to make sure we fix ourselves with something doing, achieve a task for the day and carry out activities without prior planning. We do this a lot of times to make sure we achieve something in a day and maybe also to have something to write in the report at the end of the week and this isn’t good enough for me. No planning, No goals. So I decided to this in a different and a better way this time.
Since it is no more news that every single minute counts for me at elophotos now, I decided to develop a growth plan for myself that will accommodate my activities at elophotos and my daily objectives. The growth plan was designed in a way that even with my classes, running of errands, going to Strait gate (A school we had to do a job for) , attending events, there are some things that are not a thing of choice for me anymore, I must achieve them before the day runs out. A good example is that I must read a book before the day runs out. Even if I have a tough and longest of day, I must read a book (at least a chapter) before going to bed. The daily reading of books falls under my daily objectives category. I started practicing “my daily objective routine” on Tuesday.
On Tuesday, My Objectives were;
-Start Mrs. Amosun’s editing Job
-Take a shot of sun rise
-Read a book
-Take a shoot
-Call TLS (my brother that clocked 40 years of age over the weekend) to negotiate my terms and condition of me coming to take his birthday shoot at Ibadan. I was able to achieve 3 out 5 of the objectives despite the fact that I had a long day. The ones I missed out on where my priorities on my daily routine list on Wednesday coupled with some other things.
One thing I will be adding to my growth plan next week starting from Monday 24th of August 24, 2015 is to set “my weekly goal” and my daily growth plan will be aiming to achieve my weekly goal.
One challenge I still face in photography which still occur at my several shoots over the weekend is making beautiful image at low lighted event. That will be my goal this week.
Weekly Goal: Making beautiful images in a low lighted location and I hope before the end of the week, low lighted event photography struggle will be a thing of the past.
Thanks for taking time to read my report.
Tunde Talabi

THE PHOTOGRAPHY DRIVE


The horrible noise of the alarm my chinko phone woke me up at exactly 5 AM on Monday morning, as I jumped off my bed to prepare for the new week. In less than 30 minutes I was ready and that means, am headed for eloPhotos Academy where am being groomed into becoming a world class photographer. Walking close to the bustop, I could hear the voices of the different bus conductors screaming at the top of their voices, “iyanoworo oshodi enter with your hundred naira change, I no want shout this early morning ooo”.  In no time, the bus moved and as I would usually do on Mondays, I started building expectations and things I wanted to achieve in the new week, and set up action plans in executing them.
8 AM on Mondays at ELOPHOTOS ACADEMY, is that time where we commune with our creator. When I say our creator you would easily know am talking about God,  yea am actually referring to him as creator because he made us creative and we assemble ourselves to thank and praise him for the gift of live and creativity.
10 AM and it was lecture time. The topic we discusses that day was POINT OF VIEW. There are mainly three types of point of view.
Before I name these three let me define POINT OF VIEW, this refers to the angle of which an image is captured from which comprises,
1. BIRD VIEW
2. EYE VIEW
3. LOW ANGLE SHOT.
The week continued to be a fun filled one learning. The high note of the week for me, started on Thursday when we were on an excursion to the PHOTO GARAGE. It was a beauty to behold at the garage, an average man would say nothing meaningful is being discussed in a garage, I bet you to it not in a PHOTO GARAGE with the conductor UCHE JAMES IROHA conducting the passengers. A lot was discussed at the garage on Thursday; issues of upcoming photographers, sharing from life experiences, introduction of passengers in the garage, refreshments and taking of pictures with the conductor UCHE JAMES IROHA.
In his closing words he said somethings that pricked me in the heart to concentrate and focus with stern attention to the gospel of photography of which am an ambassador. He said, work hard, and you will succeed because this is the hour, projected for darkness to operate, you either choose to make it fast or make it slowly or even die a failure! I became cold on hearing this words, I wondered is he (UCHE JAME IROHA) a prophet? Out of curiosity, I asked what can I do to achieve fast in this dark hour? He replied with three words of inspiration                                                                                                                                                                                                                                                              1. MONEY IS A GRADUATION OF SWEAT                                                                                                                                                                                       2. IF YOU GET AN INSPIRATION DO IT IMMEDIATELY                                                                                                                                               3. FAITH DON’T DENY REALITY, WE ONLY PUT OUR FAITH TO REALITY.
He also shared with us 6 steps of creating a photograph.
1.look with your eyes and examine the subject.
2.see what you want to shoot.
3.observe the subject you want to shoot.
4.study the environment.
5.confirm that what you see make sense.
6.SHOOT
IT WAS WONDERFUL BEEN AT THE PHOTO GARAGE; THANKS TO UCHE JAMES IROHA FOR HAVING US AND OUR HIGHLY ESTEEMED DIRECTOR, MR SEUN AKISANMI.

King Lemuel

ON YOUR MARKS, GET SET GO – My first day at school


SUNDAY, 5TH JULY 2015. 9:37 pm

I had just finished a chaper of Don Soderquist’s The Walmart way – The inspiring story of one of the world’s biggest (or biggest if I’m not mistaken) retail store and more than ever I felt so inspired to be a part of the eloPhotos experience (My internship programme) and give whatever it takes to be at the top of my game at school which had been scheduled to kick off the next day!

Still sunk in memories of the book, I began to pen a few things in my jotter which would form the basis of what I planned to achieve during my stay at eloPhotos! As much as I was eagerly passionate about it, I was worried! Well, not until I remembered God’s word for me in 1 Peter 5:7 encouraging me to cast all my cares on Him.

I concluded to myself that I was going to take things as they come and give my best at everything I would lay my hands upon. I tried reading… couldn’t just concentrate as many images and ideas bugged me real hard… The last time I had this experience was probably when I was to resume senior secondary school which was my first boarding school experience. No doubt, the next day was gonna be the beginning of a life changing encounter. I just couldn’t wait for it!

MONDAY, 4TH JULY 2015. 4:20 AM

Waking up very early in the morning wasn’t quite of an issue; having to hand over everything to God simply does the trick for me. With my mind set on the goal – not getting to school late, I did every single thing with respect to time. Don’t ask me why I didn’t want to get to school late. If you’ve done your assignment well, *Lol you’d know by now that Mr. Seun hates late coming with a passion. Sometimes I wonder whether he had once had a terrible experience with late coming. I had waited for this moment all my life and here it was. In no time, I was ready to go to school and for me, I was beginning to “smell” fulfilment even though for me it was still miles away.

Anyone who had seen me going to the park would have thought I was almost late for a flight. All that occupied my mind was the experience that was about to begin.

Fast forward to when I alighted at First gate bus stop (The bus stop just few meters away from eloPhotos). Walking, jogging, running, sincerely I don’t know what I was doing. At that moment, I felt like Paul in Philippians 3:14 “pressing on towards the goal”.

“Akin!!!” (My surname is Akindele, hence the use of Akin as the call in this story) My heart skipped a beat. I would recognize Mr. Seun’s voice even in the deepest of oceans. I had heard that voice over and over again even in my dreams. Come to think of it, I think I had a dream the night before about Mr. Seun. Now I can’t even properly recollect. I took a walk back to meet him and his first daughter (the famous Anuoluwapo). The details of our conversation, I won’t reveal. Now before you think anything, it was just one of the normal teacher – student instructions oh and nothing more!

Monday, 4th JULY 2015. 8:00 am

I heard voices singing and for a second I thought of the angels singing Holy, Holy, Holy is the Lord. In a few minutes I knew it was the morning devotion I had read about for so many months now. I joined them in worshipping and it reminded me of the quiet time I had some hours earlier in the day. It’s quite funny how my brain works; how that virtually everything reminds me of something else. I believe I’m weird; quite strange and unusual. I enjoyed every single moment of the worship. It was led by a colleague I later got to know is named Tunde. Then, the moment of truth was here when we had to sit and hear our boss of life (Mr. Seun Akisanmi) talk to us. Just before you think of another thing it reminded me of, just let me continue my story. My mind went places again. As we laughed and laughed, I almost imagined how interesting it would have been for the 12 disciples listening to Jesus sitting in rounds. He wasn’t Jesus but for real, we were and still are his disciples! Over time, I have discovered that I never get bored listening to Mr. Seun. I always love looking into his eyes as he talks. It has formed a great inspiration for me personally. I was almost thinking of just remaining in eloPhotos for a life time. I felt quite strange in the midst of these guys; it was my first time and I was unfamiliar with anyone except of course the one and only Mr. Seun. Mr. Seun had to introduce me to the whole class as the newest intern and I had to join everyone in narrating how the previous week had gone. This for me, helped my accountability life. I now knew that apart from God, there still is someone I need to report myself to every week.

Oh no, don’t tell me I forgot to tell you this, just during the introduction, Mr. Seun dropped the shocker; Anuoluwapo, his first daughter had told him that I looked like a secondary school student! Strange right, well I guess that was a pointer to the fact that I needed to… no. I’d just be myself. I wished I had given her the little gift in my bag though.

After the disciple experience, we had quite a short time to “flex” just before our class began. The class was taken by Mr. Toye Peters and we had a great time, I must confess. I wished this experience would just continue – for us to listen to photography gist on and on and on. Oh…did I tell you I saw the spectacular Miss kike. She was also around for our devotion even though she wasn’t FULLY with us. Every day I get an opportunity to take a close look at her, I’m always awed ‘cuz to me, nothing is special about her o – just small, light complexioned and all but she has such a big brain, big heart and tack sharp images *Lol (I learnt that also from http://www.elophotos.com). Of a truth, as a lady, she inspires me. She makes me just want to go the extra mile in photography. By the way, her full name is Kikelomo Koleosho and the name of her outfit is Red 19 photography (I bet that rings a bell).

So, back to 12b Fagba crescent Agidingbi, (That was just a proverbial way of mentioning eloPhotos studios); I had a real time familiarizing myself with the environment and of course with the interns learning photography. We had a bit of practicing with the camera and all. It’s really funny how time just flies when you’re at eloPhotos especially when you have to talk business with Mr. Seun; you just get inspired all the way. I felt like spending some more time but then, I had to go home.

I was tired, weak and hungry but at the same time joyful, inspired and fired up! My first day at school sorry eloPhotos was an experience to be written in one’s diary. I got home a bit late – You know how traffic can be in Lasgidi nah but I was really happy to have made such a great decision. I couldn’t wait for the next day to come

I am Boluwatife Akindele and more than ever, I’m proud to be a photographer and to be associated with eloPhotos academy!

YES!! THAT’S THE KIND OF PHOTOGRAPHY I’M TALKING ABOUT


I reminisced over the past 9 months of my journey in photography, and I can’t but marvel at the level of progress I’ve made, and give thanks to God for His Mercy.
Between September and March, what I knew about photography and was doing, for me was very unsatisfactory. I had a lot of curiosities in me, many questions yearning for answers, and aspirations begging to be fulfilled. I remember a day I suggested to my former boss, Mr. Paul, that we do a documentary project for “Alakuko” – a town in Lagos; that we take pictures of major places in the area, and compile them together. He rightly agreed to my suggestion, that it is possible but also gave me reasons why it won’t be possible. The reasons were that we need better cameras and zoom lenses; we only had Nikon D40 cameras and 55mm lenses, we will be molested and so on. But the real reason I think is that he does not understand how such an endeavor will fetch him money and increase his artistry.
I also remember a day, he came back from a print lab called 5d in Ikeja – it was from him I first knew 5d and Fotoart print labs, he patronizes them for his photobook prints – and he said to me “Sodeeq, photography has gone far o, just imagine someone, going to the forests, taking pictures of trees, and selling them to foreign clients”. I was as amazed as he was. Photography? That’s cool then, that’s the kind of unusual things I’ll like to do, but I had no clue how it can be achieved. My dilemma then, made me appreciated more the nature-nurture theory in the psychology of education. The theory opines that human behavior is influenced by what has been deposited in him from birth (nature) and how his environment develop those traits (nurture). The theory is of the belief, that all knowledge has been in existence in the heart of a child, and it is the environment – teachers, parents, peers, social beliefs and values – around him that will ultimately determine if such knowledge will occupy his conscious mind.
In relation to me, what was in my heart then, and the reality around me, was at variance. I usually have flashes of thoughts of top photographers, great photography projects, and a better understanding of what photography really should be. But the environment couldn’t nurture my thoughts. It lacked the ingredients to bring to full consciousness those inner desires. I remember one of Sam Adeyemi’s teachings. Sam said, if you really will go far, what you have in the inside of you, should be bigger than what you have on the outside of you. For instance, if your current apartment is 3-bedroom flat in Ojodu, Lagos, your ‘inside’ should already be thinking of owning bigger properties in Dubai, Los Angeles, Abuja, and the likes. He revealed that anything that happens is only a physical manifestation of what has already existed in the realm of thoughts. He further revealed that, whatever he has achieved today, or the level he has attained, he has been there long before now, in the realm of thoughts, and it’ll be so injurious to him, if what currently exists in his thoughts, is not far beyond his current realities. Between the months of March and June, I’ve been privileged to be part of one of the best photography schools in Nigeria, eloPhotos academy, and the experience for me, is like that of a football player who after scoring a goal, says “I saw that goal” or a photographer that says “I saw that shot”. The experience has been “yes, that’s the king of photography I’m talking about”.
At eloPhotos academy, I’ve learnt a lot about the business of photography. It’s actually beyond pressing the shutter – a fact many photographers have not come to terms with. Photographers like Seun Akisanmi, Leke Adenuga, have proved this, and we shouldn’t be surprised, if these people, will be getting more financial rewards years to come, for their brilliant efforts, than the always-pressing-the shutter photographers, who have not understood the big business in photography. I must explore this medium to appreciate the management of eloPhotos academy especially Seun Akisanmi for being such a blessing to me and many upcoming photographers. Last year, I only had thoughts and hope, I never knew I would get here soon. I never knew Uche James Iroha can just be inches away, that I can always gist with Kikelomo Koleosho of red19 photography, or be in a NIPHEC planning meeting, I just believed anyway, that good things will come my way. I truly did not see whole proverbial staircase, I just took the first step, uncertain of what the future holds. And the day the step was taken was in March, when I didn’t tell Mr. Paul I wouldn’t come to work, and I didn’t tell my parents too. I just left home like I was going to work but instead visited elo photos academy to answer my curiosities, and all the way, I can proudly say, “yes, this is the kind of photography I’m talking about”.
I am Akorede Sodeeq and I am a photographer!

My Journey BACK into a PHOTOGRAPHY ACADEMY


…..Back at eloPhotos

“Perhaps we can talk at length on Monday. Try come to DSAP and ask for the photography section. We can meet during my break but be there by 8:30am” That was Mr Seun Akisanmi’s response after I informed him of my intention to return to eloPhotos since I was on a compulsory break from school work, no thanks to ASUU and Federal Government. I had been at elophotos for about 6 weeks, some 3 years ago during one of those long ASUU strike, it was an experience for me as I learnt the basics of photography, went with them for an exhibition at The Palms, met exciting people, the likes of Kikelomo, Michael, Lara, Samuel and Seun Akisanmi himself. It was an exciting experience as I had never met people with such creativity and passion for photography.

Spending the rest of this break to learn more photography would not be a bad idea. eloPhotos readily came to mind when I thought of where to go. I knew I was up for another exciting experience, if Seun Akisanmi agrees to having me around. So I dressed up early that Monday morning and out I went, to Daystar to meet with Seun Akisanmi as he decides how the rest of my break would be like. I got to the DSAP (Daystar Skill Acquisition Program) venue at about 8:30am, eventually meeting him during the break at about 11am.

What was meant to be a big favor turned out to be a disfavor, as it were! I had thought that after my meeting with him, he would ask me to give him some time to think about it or at most resume the next day.  With this mindset, I left home on an empty stomach. Even while I was waiting to see him, the hunger contractions were already beginning to intensify, but I held on since I would be back home soon, or so I thought. Alas, Seun Akisanmi announced to me that I would be going with him to the office once he was through with the class. At that point, I did not know whether to be excited or sad. Though I had to put up an excited countenance, but deep inside, I was sad, especially as the hunger contractions grabbed me! I wish he allowed me go home.

Apart from the hunger, I was excited to go back to eloPhotos again. “This is Dammy, she’ll be joining us, she’s been here before”, he introduced me to the other interns and they all gave a warm welcome in reply. That was how the new experience began for me.

Not much had changed at eloPhotos, except that the arrangement of the books had changed, there were two new shelves, one in the reception and the other in the studio, both filled with books, I was most excited to see the books again. Also there are also new set of interns who turned out to be one of the most amazing set of people I have ever met. The past one week with these people has been spectacular.

Ronke Alao, the lady intern who I had known so much through her interesting write ups on elophotos blog, I met finally in person. She was so kind to take me through Photoshop again. She’s simply Smart and eloquent! I love her so.

Tayo is another awesome person met at elophotos. This guy always had one thing or the other to do, and he always had this serious look, even when he’s jesting he looks serious, even his voice sounds ‘serious’. Trust me, he’s simply exceptional at what he does.

Emmanuel is an amazing guy, though i’v not spent so much time with him, but I was impressed at how supportive he was when I made the move at rearranging the studio. I also watched him run some humble errands. He is simply Humble!

Toye, this guy has made me laugh the most this past one week, even in his most serious mood, he’s jesting. If you ask me, Toye would make a successful stand up comedian.  But trust me, he’s simply proficient with Photoshop.

Onos, the tallest guy amongst us… Another comedian in the house. He’s one of the few people I have seen that make people laugh and still keep a straight face. I feel for this guy though, because other interns only need to start communicating in Yoruba and he is lost. He simply fun to be with.

My most amazing discovery about these people however is how much education they’ve got. They all have degrees in one field or the other but have decided to put them aside to pursue their passion in photography. That for me is simply WOW! And I couldn’t stop thinking about it.

My first week back at eloPhotos as a whole was adventurous and interesting, but most important, I have learnt new things and I have remembered things I used to know but forgot. Thanks to my new friends, and of course Seun Akisanmi.
I wont forget too quickly my trip to African Shrine in search of Porridge (lip sealed)!

I look forward to more exciting and learning filled stay at eloPhotos this time while trusting God for the call off of the ASUU strike.

The New Intern,
Damilola Opawale

PORTRAIT RETOUCHING WITH D’MAYO


PORTRAIT RETOUCHING WITH D’MAYOR

PORTRAIT RETOUCHING WITH D’MAYO
Thank you for your interest in this workshop despite the short notice.

In this day and age it doesn’t take a savvy viewer to pick out a poorly retouched portrait. The tiniest details can wow the viewer and enable a portrait to either pop off the screen or exile it to the land of digital ruin.

In this 5 hour workshop you will learn professional retouch techniques ranging reducing and removing blemishes, wrinkles, fixing hair and makeup, enhancing the eyes and other unwanted features using basic Photoshop tools

The aim of the workshop is to show you how to retouching techniques that can be used vastly in any portrait and thereby giving you more confidence with the use of Photoshop

This is basically me giving myself to you and telling you how I retouch my portrait work. The workshop will be fully practical and interactive; it’s more like chilling with me as I share my knowledge on portrait retouching.

I’ve decided to have a weekday class and a weekend class for your convenience, both with the same curriculum.
After the 5 hours you will hopefully be more confident in retouching your portrait works!

Location: 12b Fagba Crescent, Off Acme Rd, Agidingbi, Ikeja, lagos.

Date: Batch A (Saturday 27th of July, 2013) OR Batch B (Wednesday 31th of July, 2013)

Time: 12:00 PM – 5:00 PM

       Workshop Fee: ₦5000

COMPLIMENTARY SNACKS AND DRINKS WILL BE SERVED

ONLY 10 SEATS AVAILABLE FOR EACH BATCH

Curriculum:

  • Portrait retouching checklist
  • Camera RAW
  • Balance tricky exposure by “sandwiching” from a single RAW file
  • Knowing where and how to improve a portrait
  • Basic skin retouch
  • Fixing yellow eyes and teeth
  • Fixing messy hair
  • Layers, Adjustment layers (Curves, Levels, Selective Color,)
  • Proper cloning and healing techniques
  • Using Patch tool, Liquify Filter, Selective saturation
  • Masking for selective improvements to image
  • Non-destructive editing techniques and workflow
  • Improving facial definition with non-destructive dodge-and-burn
  • Background Cleaning and Changing
  • Sharpening
  • Essential keyboard shortcuts

Participants should possess basic Photoshop knowledge and a basic understanding of adjustment layers and layer masks

Booking Terms

  1. Payment for the workshop is due upon booking and is non-refundable in the event of non-attendance for whatever reason.
  1. Your space will not be reserved until payment has been received.
  1. In the event that I have to cancel the workshop due to it being unsubscribed or for any other reason (such as illness, Acts Of God etc.), I will give as much notice as possible and offer an alternative date or issue a refund.

FAQs:

  • What should I bring?
Participants must bring their own charged laptop with any version of Adobe Photoshop and Adobe Bridge with the latest Camera Raw Update Installed (CS5 or CS6 are recommend). A 30-day trial for Photoshop CS5 is available from Adobe.  And Also a Mouse or a Wacom Tablet and something to take notes on.
  • I do not have a laptop; can I still take this workshop?

Yes, you can still learn a great deal about the retouching techniques without a laptop.  But make sure to bring a notepad and pen to take notes.

FOR MORE INFORMATION, PAYMENT AND REGISTRATION send an email to AYPUMING@YAHOO.COM

Photography Courses at eloPhotos Academy


Find us on Google+

Module 1: Introduction to Digital Photography Gain control and confidence in your digital photography – with a strong emphasis on exposure. This course is designed to help you appreciate the different functions, controls and options in the exciting digital dimension. The class will also examine how aperture and ISO settings work together with shutter speeds to create different photographic effects.

Key Features
• Camera Wheels, Deals, and Decisions
• Aperture – Depth of Field & more
• Shutter Speed – Fast or Slow, Which Way to Go?
• White Balance
• ISO Settings
• Focusing – Understanding focus and how it relates to your image
• Flash – How to make the most from your flash, but not letting the flash make a mess of your image.
• To Shop or Not to Shop – a potential shopping list of accessories and other photo gear you may want some day.
• How to take better digital pictures.
• And many more.

Duration: 2 days
Course Fee: N40,000
DATES:
Weekday SETS: December 3 & 4, 2012 OR January 7 & 8, 2013
Weekend SETS: September 1 & 8, 2012 OR January 12 & 19, 2013.
Registration closes when a class of 20 students has been reached

Module 2: Lighting & Composition Whether you want to create compelling head shots, professional group or family portraits, or interesting self-portraits, you can learn how to successfully light and compose your subjects in an indoor, controlled studio environment. In this class we’ll teach you how to make the most of studio lights. Effectively use “Natural” light, Learn how to be sensitive to light, one of the two main ingredients that go into making great photographs. In this class you will find out how to become a “pro” at working with natural light. You will learn to use natural light to take your images to the next level – to having them be seen as fine art. You will explore topics that will immediately transform your work, such as backlighting and window light.

Duration: 1 day
Course Fee: N20,000
DATES:
Weekday SETS: December 5, 2012 OR January 9, 2013
Weekend SETS: September 15, 2012 OR January 26, 2013
Registration closes when a class of 20 students has been reached

Module 3: Business of Photography In this course, you’ll be deciding whether or not you need a studio. We’ll discuss the importance of documented agreements. Other topics to be discussed include: negotiating for a job, Creating a business structure, pricing your work, customer service, branding your photography and the importance of Packaging.

Duration: 2 days
Course Fee: N40,000
DATES:
Weekday SETS: December 6 & 7, 2012 OR January 10 & 11, 2013
Weekend SETS: September 22 & 29, 2012 OR February 2 & 9, 2013.
Registration closes when a class of 20 students has been reached

Module 4: The Digital Darkroom In this course you’ll learn the components of a photographer’s digital darkroom. You’ll also learn how to edit with Photoshop. Master the nuances of this powerful image-editing software. Do you find reading software manuals frustrating? Are you struggling to overcome the infamous learning curve that comes with Adobe Photoshop? Then join us as we deliver a great introduction to the program, and we always excels at answering your questions and critiquing your photos.

Key Features
• Basic Setup & Workflow
• Rotating and Cropping
• Layers and Levels
• Retouching with Cloning and the Healing Brush
• Curves, Color Balance, and Hue/Saturation
• Resolution, Image Sizing and Sharpening
• Fun, friendly introduction to Photoshop.
• Learn the basic functions, as well as special tips for enhancing and adjusting your images.
• Gain confidence in using Photoshop.
• Learn how to design an album with Photoshop
•Printing technologies, types of photography print papers, deciding to print in a Lab or at home.

Duration: 3 days
Course Fee:
N50,000
DATES:
Weekday SETS: December 10-12, 2012 OR January 14-16, 2013
Weekend SETS: October 6, 13 & 20, 2012 OR February 16, 23 & March 2, 2013.
Registration closes when a class of 20 students has been reached

Module 5: Website & Social Media for Photographers In this course you’ll learn how to design & manage your photography website using WordPress. You’ll also learn the importance of using social media (Facebook, Twitter, etc) as a necessary branding and marketing tool.

Duration: 1 day
Course Fee:
N20,000
DATES:
Weekday SETS: December 13, 2012 OR January 17, 2013
Weekend SETS: October 27, 2012 OR March 9, 2013.
Registration closes when a class of 20 students has been reached

REGISTER FOR ALL 5 MODULES & SAVE N20k. REGISTRATION CLOSES WHEN A CLASS OF 20 STUDENTS HAS BEEN REACHED.

VENUE:
12b Fagba Crescent, Off Acme Rd, Agidingbi, Ikeja

After making payment into our company account, send an email to info@elophotos.com to get a copy of the application form. Download the form, print, fill and bring it on the first day of class to the venue with two passport photographs along with the teller of the bank deposit. For further inquiries, contact us on 234-8079243366, 234-7038244433, 234-8120129149, 234-8101590358 or info@elophotos.com

You can also visit our Facebook page www.facebook.com/elophotos for more information

For the Digital Darkroom Module, it is recommended that you bring your laptop for editing your pictures

Refreshment & Course materials will be provided along with a professional digital SLR camera for each participant for practice sessions. Please note that the camera is for practice purposes during the training and would not be taken home by participants

Payment should be made into out Stanbic IBTC account 7200147969 (eloPhotos Studio Enterprises) or our GTB account 211744703110 (eloPhotos Studio Enterprises)

*************************************************************************

TESTIMONIALS

The basic course in Photography is the best thing that has happened to me this year. When I decided to take the course, I didn’t know what to expect, but now, I must say it has been worth my while. I have learnt so much already I can’t wait to go out there and start making magic through pictures. Big ups to Emmagination, Damilola “DAMELL” Elliot & Shola Animashaun, they really inspired me. Please, keep up the good work. Desi Okiemute

I have always thought of photography as a form of artistic creative expression. When I first began using a camera nearly 30 years ago, I always wanted to be able to take pictures that showed the beauty and variation that is the life experience all around us at all times. After the uncertain results that came out of my self taught efforts over the years, I finally got the opportunity for proper lessons with the Basic Course in Photography offered at eloPhotos Academy. After the first 3 lessons, I had already learnt some critical lessons that will enable me take the kind of pictures I have only previously dreamt of taking.”Painting with light”! That is a definition I have gained from the course.The course is a relaxed, practical and interactive one with several tips from experienced photographers. Very commendable training! Now it is up to me to decide to what level I want to take my photography – competent beautiful pictures as an amateur or as an artistic professional! Dr. Olayinka Longe

I really enjoyed the business aspect of the training. The lectures on character, integrity, packaging, good customer service and branding were awesome. In a nutshell, it was a wonderful decision I made by attending the training because I absolutely got more than my money’s worth. Oloyede Afolabi

eloPhotos is the place to be. Within the 8 days of the training, I’ve been able to acquire sound technical and theoretical skills in photography. The training package is so educative such that all the ingredients necessary for growth and development are included. I especially enjoyed the Branding and Marketing aspect of the training. In fact, I have decided to inform all my relatives and friends that they should not bother trying to get me a job in the telecommunications, or banking and oil industry; I’ve finally gotten a JOB. Olumide Oshikominu

___________________________________________________

…raising world-class photographers
———————————————————————————
Get your copy of Nigeria’s 1st Photography Magazine PICTURE THIS
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For tips on growing your photography business, “like” our facebook page (facebook.com/elophotos), add us on your bb: 271E3BC8 or follow us on twitter at www.twitter.com/eloPhotos

Nigeria’s Photography Directory


Find us on Google+

Attention all Photography-related companies. Calling all photographers, makeup artists, printing labs, videographers, album designers/makers, camera & photography equipment sellers, computer & sellers, photography schools, camera repairers, advertising & modeling agencies and photography bookstores. We’re presently working on the forthcoming release of a bi-monthly photography magazine called PICTURE THIS (http://wp.me/p1meHy-12V) and a segment in the magazine is called “Photography Directory”. In this segment we’ll be listing the contact details of organizations/companies that provide products/services that promote directly or indirectly the photography industry.

Send an email to picturethis@elophotos.com with the subject title NPD listing if you’ll like to include your company details. Listing is free for the maiden edition and costs N6k for subsequent editions. Kindly follow the following format when sending in details as submissions that don’t meet guidelines will be disqualified.

NPD Listing

CATEGORY: makeup artist (or any other category)
COMPANY NAME: moore makeup
ADDRESS: 9c Jide Ayo close Omole Phase 1, Ojodu-Ikeja.
TELEPHONE: 2 phone nos.
Website: 1 website address
e-MAIL: wemimoore@gmail.com
BB pin: 22221111

Pls be sure you have a functional website before submitting. If your business does not have an active website, don’t include the website address in the submission. Kindly forward this info to anyone you know might be interested. For further inquiries: 234-8079243366 or 234-7038244433. Deadline for submission has been moved to July 6, 2012. (Businesses must be based in West-Africa). The Publisher reserves the right to exclude any category submission if it doesn’t meet the required guidelines. If you’ve already submitted and your submission meets the guidelines above, you don’t need to send another email.

Photographically yours,

Seun Akisanmi
CEO elophotos.com
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Plan to attend the next session of Basic Course in Photography
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For tips on growing your photography business, “like” our facebook page (facebook.com/elophotos), add us on your bb: 271E3BC8 or follow us on twitter at www.twitter.com/eloPhotos

TOP SECRET: Nigeria’s 1st Photography Magazine Premiers


Find us on Google+

Greetings great artistic & creative citizens of the earth. We’re working on a photography Magazine (Picture This) that will be launched in mid-July and I thought it wise to let you in on the secret. A segment of the magazine will be featuring creative and beautiful pictures taken by Nigerian amateurs and professionals. We’ll appreciate if you can kindly forward any “wow” picture that is considered “creative & beautiful” (& you’ll love us to publish) to info@elophotos.com

Please be sure you have the rights to the picture and high resolution pictures should be sent. Kindly also include a brief explanation on how & when the image was gotten. Only pictures that meet our standards will be published in the 5-page segment.

There’s also a segment we call “Photography Directory”. In this segment, vendors in the photography industry have the opportunity of letting the world know how they can be reached. For the 1st edition, you can be listed for free if you can send (to info@elophotos.com) the name of your company, main services rendered, address & phone numbers For example:
Elophotos Studios
Event & Portrait Photographers
12b Fagba Crescent, off acme rd, agidingbi, ikeja
08023008873
http://www.elophotos.com

All correspondence should be sent to info@elophotos.com.

Deadline for submissions for the 1st edition is June 15, 2012.

Much Thanks to the individuals that are already on board for the success of this project: Theophilus Emmanuel, Segun Alawode, Akin Ibitoye, Dipo Odetoyinbo, Lekan Made Fotos, Abiola Oladeinde, Richard Bamidele Eko, Shola Animashaun, Olusegun Ogunyemi, Segun Adebiyi, Kikelomo Koleosho & Kelechi Amadi-Obi.

Contributions and suggestions on how to make this a world-class magazine are welcome.

Attached are sample covers of the 1st 4 editions. Please kindly drop a comment and let us know what you sincerely think and how we can make it better. For advert placement & sponsorship opportunities, kindly contact us on 08101590358 or 08023008873 or send us an email at info@elophotos.com
Spread the word and share on your social media
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Plan to attend the next session of Basic Course in Photography
———————————–
For tips on growing your photography business, “like” our facebook page (facebook.com/elophotos), add us on your bb: 271E3BC8 or follow us on twitter at www.twitter.com/eloPhotos

Photography Bootcamp for Kids (Ages 6-19)


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In this course, your children will learn how to:

* develop technical proficiency with a compact camera
* create impact with photography
* compose pictures
* develop a photography “style”
* effectively tell a story with photography
* effectively photograph people
* know the right equipment to use for any situation
* edit images using Adobe Photoshop CS5 (FOR AGES 11-19)
* correct tone & color using Adobe Photoshop CS5 (FOR AGES 11-19)

DATES
Set 1
July 23 – August 3, 2012 (10 Weekdays)
9am – 2pm
Maximum of 10 students in a class
Course fee: N60,000
Registration closes July 16, 2012 or when class limit of 10 students has been reached

Set 2
August 13 – August 24, 2012 (10 Weekdays)
9am – 2pm
Maximum of 10 students in a class
Course fee: N60,000
Registration closes August 6, 2012 or when class limit of 10 students has been reached

VENUE
eloPhotos Nigeria Ltd
12b fagba Crescent,
off Acme Road,
Agidingbi, Ikeja, Lagos, Nigeria

Send an email to info@elophotos.com to get a copy of the application form. Download the form, print, fill and bring it (or fax) on the first day of class to the venue with 1 passport photographs along with the teller of the bank deposit.
You can also visit our website at http://www.elophotos.com for more information
Refreshments & Course materials will be be served. However children will be required to bring their digital cameras for the course. Contact us for details on the type of cameras to get.

Payment should be made into our Stanbic IBTC account 7200147969 (eloPhotos Studio Enterprises) or our Guaranty Trust Bank account 211744703110 (eloPhotos Studio Enterprises)

For further inquiries, contact us on 234-8101590358, 234-8120129149, 234-8191474348, 234-8023008873 or info@elophotos.com

———————————–
Plan to attend the next session of Basic Course in Photography
———————————–
For tips on growing your photography business, “like” our facebook page (facebook.com/elophotos), add us on your bb: 271E3BC8 or follow us on twitter at www.twitter.com/eloPhotos

AN EXPERIENCE WORTH REMEMBERING: eloPhotos Academy


Its quite amazing how dreams come true so soon.
Exactly six months ago, I had prayed and panted (just like the deer pants for water) to be under the tutelage of a personality I met and highly respect. Since my encounter with the CEO of eloPhotos Studio (Mr Seun Akisanmi) at the D-SAP photography training last year, I had dreamt of having an advance training under him so has to equip myself with more knowledge in the field of photography and most importantly to learn the right attitude and dispositions to clients and the photography business which an average Nigerian Photographers tend to neglect or lack.

The long awaited training kicked off on Monday, 19TH March, 2012 at eloPhotos office situated in Ikeja. With so much anticipation and determination against all odds, I left the city of Abeokuta and crossed the border of Ogun State to Lagos State to participate in the training. Before now, I knew I wasn’t going to be the only trainee so I was not disappointed when I got there and met other trainees from different parts of the country well sitted at the reception (which was well decorated with frames of creative pictures and a bookshelf stacked neatly with books on photography business and I was like WAOH! This is a serious venture.)

The first day was more of an introductory and interactive class where we got to meet ourselves, share basic life information and ultimately share our passion for photography. Our instructor was not left out as he did the bulk of the talking sharing his different experiences from how he decided to follow his passion (Photography), the need to read books to getting the right mentor for one’s area of specialization in photography. He also stressed the importance of having the right business mindset in photography. Interestingly, every of his words were an eye opener in one way or the other and my passion grew the more for this high calling.

The days following were devoted basically for learning and handling the camera, our “weapon of warfare”. The technicality of the camera was taught & justice was done with regard to different shooting modes, types of lenses, light meter, exposure value compensation, Depth of field, white balance, business photography and so on.

I realized right there that photography and taking pictures was beyond pressing the shutter button. It entails a wide range of things from the technicality of it to creativity, composition, being friendly, honest, & humble with clients. At this junction I began to have a clearer understanding of how the few pictures delivered by some photographers are not WAOH enough while some on the other end are great. It all boils down to having the right composition for your subject and knowing the right settings for different exposures.

It seems the week tends to end faster when you have creative stuffs like this going on for you or maybe its my notion but honestly, friday arrived faster than the speed of light. Another week of training surfaced and was devoted to the DIGITAL DARKROOM. I especially loved the MAGIC that Photoshop was capable of creating. Kudos to the inventor of this software. I mean, I love Photoshop! But like my instructor said “try as much as possible to get the best picture from camera because you will save some time in Photoshop”. I totally agree with that because a bad picture from the camera cannot deliver the best not even after serious editing with the magical Photoshop.

At this point, I cannot but draw attention to the rapid developmental changes occurring in the digital photography industry. There’s still so much to be done in the industry and I sincerely want to be among those that will keep the flag flying. One of the most crucial things I learnt at eloPhotos Academy is the importance of giving your picture a voice of its own.

As we approached the end of the training, it dawned on me how much I was going to miss my colleague photographers who just like myself had sacrificed a lot to attend this training. We were about to go back to our various destinations transformed to becoming greater photographers who will impact the world photographically. I am definitely convinced we will meet at the top where the Kings dine and wine.

In conclusion, I will like to extend my sincere gratitude to the able organizers of this training especially to the CEO of Elophotos Studio for allowing himself to be used by God to pioneer one of the best Photography training Institute in Nigeria, giving room for a person like me to have an in-depth knowledge in the field. My heartfelt gratitude also goes to his beautiful wife and his supermodel daughter Anu , who voluntarily posed for my practice sessions. Much thanks also goes out to other in-house photographers (Afolabi Oloyede & Adetunji Oremosu) who did so well in putting us through whenever we were “stranded” with the camera settings. Love you all and God bless you.

Photographically yours,

Oluwatosin
Set 10 eloPhotos Academy
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Plan to attend the next session of Basic Course in Photography
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For tips on growing your photography business, “like” our facebook page (facebook.com/elophotos), add us on your bb: 271E3BC8 or follow us on twitter at www.twitter.com/eloPhotos

Basic Course in Photography (June 2012 – December 2012)


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At eloPhotos Academy, our ultimate goal is to raise world-class photographers. We do this through a series of workshops, trainings, and internship programs. You can visit out youtube channel (www.youtube.com/elophotos) to watch videos on a few photography topics. Contact us to learn more about our other trainings.
In this course, you’ll learn how to:
* develop technical proficiency with your camera
* create impact with your photography
* compose pictures
* develop your style
* effectively tell a story with photography
* be a master of “light”
* effectively photograph people
* know the right equipment to use for any situation
* make a good income in photography
* edit images using Adobe Photoshop CS5
* correct tone & color using Adobe Photoshop CS5
* produce outstanding printed images
* effectively market and brand yourself as a photographer
Set 8
January 23 – February 1, 2012 (8 Weekdays)
9am – 2pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes January 16, 2012 or when class limit of 20 students has been reached
Set 9
January 21 – March 3, 2012 (7 Saturdays)
9am – 3pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes January 16, 2012 or when class limit of 20 students has been reached
Set 10
March 19 – March 28, 2012 (8 Weekdays)
9am – 2pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes March 1, 2012 or when class limit of 20 students has been reached

Set 11
March 24 – May 5, 2012 (7 Saturdays)
9am – 3pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes March 12, 2012 or when class limit of 20 students has been reached

Set 12
June 4 – June 13, 2012 (8 Weekdays)
9am – 2pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes May 21, 2012 or when class limit of 20 students has been reached

Set 13
June 2 – July 14, 2012 (7 Saturdays)
9am – 3pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes May 18, 2012 or when class limit of 20 students has been reached

Set 14
September 3 – September 12, 2012 (9 Weekdays)
9am – 2pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes August 24, 2012 or when class limit of 20 students has been reached

Set 15
September 1 – October 13, 2012 (9 Saturdays)
9am – 3pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes Aug 17, 2012 or when class limit of 20 students has been reached

Set 16
December 3 – December 12, 2012 (9 Weekdays)
9am – 2pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes November 23, 2012 or when class limit of 20 students has been reached

Send an email to info@elophotos.com to get a copy of the application form. Download the form, print, fill and bring it on the first day of class to the venue with two passport photographs along with the teller of the bank deposit. For further inquiries, contact us on 234-8101590358, 234-8023008873, 234-8120129149, 234-8191474348 or info@elophotos.com

You can also visit our Facebook page www.facebook.com/elophotos for more information

For the course, it is recommended that you bring your laptop for editing your pictures

Refreshment & Course materials will be provided along with a professional digital SLR camera for each participant for practice sessions. Please note that the camera is for practice purposes during the training and would not be taken home by participants

Payment should be made into out Stanbic IBTC account 7200147969 (eloPhotos Studio Enterprises) or our GTB account 211744703110 (eloPhotos Studio Enterprises)

*****************************************************

TESTIMONIALS

———————

The basic course in Photography is the best thing that has happened to me this year. When I decided to take the course, I didn’t know what to expect, but now, I must say it has been worth my while. I have learnt so much already I can’t wait to go out there and start making magic through pictures. Big ups to Emmagination, Damilola “DAMELL” Elliot & Shola Animashaun, they really inspired me. Please, keep up the good work.

Desi Okiemute

I have always thought of photography as a form of artistic creative expression. When I first began using a camera nearly 30 years ago, I always wanted to be able to take pictures that showed the beauty and variation that is the life experience all around us at all times. After the uncertain results that came out of my self taught efforts over the years, I finally got the opportunity for proper lessons with the Basic Course in Photography offered at eloPhotos Training Institute. After the first 3 lessons, I had already learnt some critical lessons that will enable me take the kind of pictures I have only previously dreamt of taking.”Painting with light”! That is a definition I have gained from the course.The course is a relaxed, practical and interactive one with several tips from experienced photographers. Very commendable training! Now it is up to me to decide to what level I want to take my photography – competent beautiful pictures as an amateur or as an artistic professional!

Dr. Olayinka Longe

I really enjoyed the business aspect of the training. The lectures on character, integrity, packaging, good customer service and branding were awesome. In a nutshell, it was a wonderful decision I made by attending the training because I absolutely got more than my money’s worth.

Oloyede Afolabi

eloPhotos is the place to be. Within the 8 days of the training, I’ve been able to acquire sound technical and theoretical skills in photography. The training package is so educative such that all the ingredients necessary for growth and development are included. I especially enjoyed the Branding and Marketing aspect of the training. In fact, I have decided to inform all my relatives and friends that they should not bother trying to get me a job in the telecommunications, or banking and oil industry; I’ve finally gotten a JOB.

Olumide Oshikominu

____________________________________________________

…raising world-class photographers

———————————–
Plan to attend the next session of Basic Course in Photography
———————————–
For tips on growing your photography business, “like” our facebook page (facebook.com/elophotos), add us on your bb: 271E3BC8 or follow us on twitter at www.twitter.com/eloPhotos

Photographer of the week: Dipo Odetoyinbo


Transcript of the interview session with renowned Photographer, Dipo Odetoyinbo (Black Child Photography)

When did you KNOW you wanted to become a Photographer?
My journey into photography has been a love affair. I have always been artistically inclined. I’ve been into fashion, I’ve done a bit of drama and I sang for a long time. It was when I went to serve in Kano state, on the way from the orientation camp to the village where we were posted, there was this beautiful scenery. The journey lasted about an hour and was over in the blink of the eye. It was the beauty of the scenery that struck me and I felt I had to capture that beauty. I guess that was where that ‘knowing’ first started because I knew I wanted to share this beauty with the whole world.

Tell us more about your career in photography and the challenges you experienced.
I studied Microbiology in the University of Ibadan, but from my second year I knew it wasn’t it for me. I needed to do more with what came to me naturally. I needed to do a little more self discovery. I had good grades and all that, but I knew art is where I am really very good at. That very point, I decided to make it a career. I started out as a hobbyist taking pictures of landscape and nature and a few portraits. I started posting my pictures and it seemed people liked it and wanted more. A lot of people asked me to come and take their picture and I said no, no.
I was so strong and I had to do something about it because even as an amateur a lot of people felt I could take it professionally. I decided I could, but I didn’t know what the business side of it will take. Although I had been into business before I knew running a business wasn’t simple. I knew I could do whatever it takes and that I could imagine myself still doing this at age seventy.

The challenges I had are the same that faces most of us artists. The case of doing something you love so passionately, but when it comes to the end of the month it’s not like someone is going to pay you. The real challenges were the business side: how do I create this beautiful work of art and get someone to pay me for it? I also came to the point where I knew I had to do something that was relevant to as many people as possible. Art is a medium of self-expression but I found after a bit of research that I had to be more relevant.

Who were your mentors when you were starting out?
It’s funny people can inspire you but you haven’t met them personally. I have largely been self taught. But I read the works of so many great people for inspiration. I read a lot of Bryan Peterson’s books and Scott Kelby. I knew more of what was going on the international scene for a year of so. But since I was to be based here in Nigeria, I needed to know what people around here were doing. I met Mr Leke Adenuga of QF and he showed me quite a bit of how to go about the business side of it. Also through HO9 I met Kelechi Amadi-Obi, I met Barret Akpokabayen, and a few others & they have been very instrumental in helping me out.

Getting into wedding photography, I remember meeting Mr Seun Akisanmi who really showed me the ropes of the business side (before that I had made many blunders!) and it was like a corrective measure. I also had a few assists from Michael Adebiyi, who went with me to some weddings and would help cover some and he was really instrumental.

Which Photographer on earth do you admire the most?
Strictly speaking Work and personality wise, one of the people I admire most is Kelechi Amadi-Obi. Just looking at his works alone has been so inspirational. It’s because of the aesthetics and the fine-art. Meeting him one-on-one has also inspired me and because he makes me feel like I can do it too.

Tell us your worst photography experience so far?
I think I have had so many experiences that have made me re-consider this business. I remember a few years back I was called for a series of jobs by the same client, a party, portrait session, two events and so on. After we spoke he deposited some money into my account, promising that he will pay the balance later. So I focussed on delivery and I did all that I could, including getting a make-up artist for all the coverage. So when I delivered everything and it was time to get my balance, he started dragging.

The mistake I made was that I did not sign a contract with him and delivering all without collecting much. I had invested my own money for a lot of the work and it [must have] seemed like I had a lot of money and I had made my profit and that was why I still had so much balance to collect.
That has been the nastiest experience so far and till date I have not collected that money.

What is that one WOW “client” experience that you wish could be repeated with all your clients?
I won’t site one client in particular. I have several clients who have become big-time marketers for me. That just really excites me; when you work for somebody and they go out of their way to ensure that every one they know hires you, if they can afford it.

How far are you willing to go with this “Photography”?
Like I said , it was a love affair for me initially, and I didn’t stumble into photography just like that, but I made up my mind that whatever it takes I am going to make it work. I believe it’s finding out your own niche and doing what makes you stand out and not doing what everybody else does. So many people are coming into the industry, (that’s good because it gives it a prestigious look) but having so many more graduates who are leaving their degree and coming into the business, shows that it is such a fantastic industry and it requires differentiation and stating in your area of strength for it stand out.

Why should a client hire you amidst the sea of photographers in Nigeria?
For me I like to ask a lot of questions and find out a lot about the client to be able to fashion out what works for them to bring out the best. A lot of people want to look exactly the way some of my works appear and I have to explain to them why I took the pictures they’re looking at in a certain way. I think my attention to detail stands me out. For my pre-wedding shoots, I usually want to go all out.

Are you affordable?
I think I am quite affordable. That is relative, because I have a lot of very good work out there that I am sure of. So I have created different packages for weddings. On the average it starts at $900 (N150k) and goes up depending on the options that go into the package based on what the client needs. It all depends on what the client needs although we have a whole gamut of packages that cover what clients usually expect.

What is your advice for newbies coming into the industry?
I would say spend time learning and training. It’s not every one that holds a camera that is a photographer. Learn how to take pictures, learn the art and very importantly learn the business side of it. The business aspect of it is very important to whatever it is you are doing.

Assume you wake up on Feb 20, 2020 what will your dream day look like?
I have always loved travelling. I guess it would be the day I get a call from South Africa to come do a shoot there. I said South Africa because a lot of photographers are trained there and peoole still come from all over the world to get their training there. By then , I would [want to] have an outfit that has really grown and I would have a lot of people under the same umbrella and I would have branched out into a few other fields I won’t mention now. Photography is the good foundation for the other things that come with it.

Any plans for a training platform for apprentists?
I keep getting phonecalls from people saying they want to come learn photography, but I have learnt that talk is cheap! Then I remember approaching one of my mentors once for that kind of request and I had to do a re-think when I realised I wouldn’t have the kind of time it was going to require. I had to look for another way around it. So as much as I love to create a platform for others, not everyone fits in and even though you have just a few rules, they take it for granted. I love to share knowledge so I have an internship program right now but that can’t accommodate many people, but as time goes on I intend to take on more people.
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Black Child Photography is a Visual Communication Outfit geared at providing our esteemed clients with high quality images that speak to the viewer and passes across pre-planned specific messages to targeted audiences.

www.blackchildphotography.com
Email: blackchild247@gmail.com
Telephone: +234 80-2360-1026, +234 80-9056-9305

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For tips on growing your photography business, “like” our facebook page (facebook.com/elophotos) or add us on your bb: 271E3BC8

PHOTOGRAPHER OF THE WEEK 5: Kelechi Amadi-Obi (TRANSCRIPT)


We met with Kelechi on Valentine Day’s eve and had a heart-to-heart talk. He just concluded a photo session with Jay Martins and was eager to share with us about his journey so far in photography. The following is the transcript of the 45-minute interview that ensued

Tell us who you are & how you got into photography?
My Name is Kelechi Amadi-Obi. I went to secondary school in Government college Umuahia, after my primary school (Library Avenue primary school, Umuahia again) so I pretty much grew up in my city. Right from childhood , I had always been fascinated with visual arts, usually the best artist of the class in primary school. My primary school was next to the library (hence it’s name), in fact my mum was the headmistress of the school.

My house was next to the school. I had developed the habit of research early and going to the art shelf in the library. Whatever craft I needed to learn I knew early on that I could learn it on my own. I discovered great wisdom hidden in all the books. I became obsessed with trying to master the wisdom of any book I was reading.

By the time I finished secondary school it was obvious I could communicate through the art of the visual though I never thought about how to make a living from it. I didn’t see any gallery or museum or art school in my area. I’d never met a real artist and only read about them in books. So I thought it was something only done in Europe. So back then, when I would make a drawing, I would tell my little sister then that ‘This is a masterpiece!’ I tried to visualise myself [being] like Rembrandt, Van Gogh or Picasso, but it all seemed like a fantasy world.

But when it came to choosing my career, this was story: My family is a family of lawyers. My father was a high court judge and only two professions were recognised in my house; you were either a medical doctor or a lawyer. So I chose law after passing my JAMB examination and gained admission into University of Nigeria (Nnsuka) [UNN]. It was there, [UNN] that my eyes were opened and In fact, I attended ACCA exhibition in Bonna gallery in Enugu then. I was in the midst of real artists. I thought ‘this is it! People actually live this kind of life!’ I immediately grew comfortable with that, and while I was studying law, I was practising my art, and became popular for it. I chose a brand name De’ Zulu (from a movie Chaka De Zulu, who I thought really kicked ass) for business name.

It was in my third year I made the decision I would become a full time artist after I finished law school. But I was not going to be a drop-out because people would misunderstand me. I also found out that in law, there were some things that would benefit me.
After finishing law school, I settled in Lagos with my aunt (Aunty Nnena) and by then my father was late. The only thing I could afford then was a cardboard paper and pencil. So I said, “Great, let’s start making art!”
Freshly out of law school, that was a stubborn and ridiculous thing to do.

It was atop my aunt’s balcony I started making art-works. The first time I went to shop for frames for the artworks the owner of the frame shop asked, ‘’Are these works for sale?’’ I answered, ‘oh, they are N10,000 each” and he bought all five of them! I thought, wow! From nothing to N50,000…. I blew N25,000 immediately on art materials.
I went back to continue with painting. I was amazed at how easy it was to sell those artworks. A friend of mine who was also a fellow artist, came around and found what I was doing interesting. So he said he knew a few people who are collectors. He packed all the works I had that morning and in the evening he came back with N100,000 cash after collecting his commission. Incredible! It became clear I could make a living in Lagos as an artist.
Eventually I had an exhibition, followed by another, and the rest is history. I became popular and was absorbed into the art world of Lagos.

Gradually I was using the camera to take photos for my paintings as reference materials, and as I did I realised I needed to master lighting. More of my paintings were of the human figure and I needed to photograph models for them. I liked to look at the way light falls on the body in the different shapes and forms. I got deeper and deeper into controlling the way light goes into the shutter, through the aperture to make an exposure. So I could thoroughly underexpose a picture or slightly over-expose it to get a kind of feel [I wanted].

While doing that I had mastered the little intricacies of photography. It struck me that some of the photos I was making were already finished artworks. I started hanging out with more artists. I would visit the likes of Don Barbar (even he had collected some of my paintings he found interesting) and he would take me to his dark-room to develop some prints. I was amazed that what I saw was just like my paintings. I then started using Uche James Iroha’s dark room while he was working in Dolphin Studios in Surulere to process my works which I shot in black and white. Soon after, I got my own dark-room. This made my interest in photography come up even more.

It was all just fun, and I wasn’t making a dime from photography at the time. Until a guy (also a photographer himself) came in from Germany to curate an African art exhibition, as part of the biennial, in Bamako Mali. He wanted to have eleven photographers. Someone had told him about my collection of nudes and he came around, looked at them and found them quite interesting. And since he thought they were good enough for the exhibition, I got invited to Bamako Mali. Uche James Iroha, TY Bello, Amaeze Ojekere (representing his dad) and others from diaspora, Mali and Senegal, South Africa were all participants in this exhibition. It was like an art exhibition Olympics for Black Africa!

There were curators and scouts from all over Europe. Some of the curators from Italy came over and after liking my work, they invited me to come and exhibit in Italy. They took my contact [info] and sent me tickets .
Upon returning, myself, Uche James Iroha, TY Bello and Amaeze Ojekere came together to form a group called Depth of Field – a collective of artists who wanted to spend time creating work. And soon we were exhibiting in France, Germany, England, New York and we became very popular. That even sucked me deeper into photography. While this was happening it was my work as a painter that was providing my upkeep.

Gradually people & advertising agencies came to me with briefs for an artistic advertising shoot. When they came I would say, Sure, I’ll work with you, but these are my terms…… Then they would say no, and propose things like N30,000 per scenario. My response would always be , ‘Sorry, I don’t work that way. If you want to call me, you pay for my day and that starts from N150,000 to N200,000. You want me to work for you, it means paying premium for my time. I had gotten advice from Don Barbar about the advertising agencies not having respect for photographers and how not to let myself be treated that way.

So I would walk away from big jobs, but when I did get a job [on my terms] and the brief was given to me, I wouldn’t sleep over it. Even if it was a brief on Still Life photography, I would spend the night, the next day, and so on, studying about it, test-shooting it and then do some more reading again until I mastered it… just to make sure I deliver on my promise.

So if I had been given N150,000, I will make sure I deliver a N250,000 – quality of work. The philosophy then was if I gave the client more, the extra that I was giving them was actually payment for advertising. This is because the person I was shooting for will then go round telling others, “this guy is awesome!” It worked like magic. So while I didn’t get many jobs, the ones I got took a lot of time, a lot of people banged their phones on me, saying who is this guy? Because I would not shoot at the price they were calling. I told the ad agencies, ‘the guys who were doing jobs at N20,000 0r N30,000 per scenario were shooting themselves in the foot by doing too many jobs, and having no time for research to perfect their skills or even money to purchase equipment.’ In the long run you advertisers will run out of good material to work with and you will be compelled to import photographers from the UK, costing you more than three times my bill. So I am actually saving you money!”

As if I was clairvoyant, it happened just as I said. The ad agencies got stranded when big clients came from overseas looking for a certain quality of work and very few photographers who could deliver that quality.
That was how I began and continued to grow, and since then I have not changed [my principles]. Over the years I have been researching continuously to learn new tricks to push the threshold of my craft. I want to be in the place, where the most difficult challenge is what I want to face, so that when I conquer it, it becomes normal [to do so], and then I look for another challenge, more difficult and I face it.

So as time went on, I started enjoying my own personal shoots and I make sure that even in spite of all the commercial work one is doing, I find time to express myself as an artist and that is where I am now.

Please enlighten us about how the issue on copyrights apply to photographers in the Nigerian photography industry
Under the copyright act , the rights to a work of art, resides in the person who makes the work of art. In relation to photography, it is the photographer. It does have exceptions, where such rights are limited, like if it is an image of an individual, there are circumstances where you must obtain a release from the individual. You don’t go shooting somebody’s photo and then go selling it for a corporation to do an advert with. THAT WOULD BE INFRINGEMENT and you could be sued. Somebody’s right ends at the point where another person’s begins. But if you got a model release that tells you that you can do whatever you want with the image, then there is no problem.

If you are taking pictures of landscape or even people in a crowd, you won’t get sued. In terms of doing commercial work it Is still applicable. Whenever you do a shoot, under the law, the rights to those images still reside with you. Photographers are advised to, in writing, give their clients license to use their images for definite time duration within a definite geographical area. That is what you are being paid for in addition to your expertise. If it is not written, the right still resides with the photographer automatically.
How do I deal with this? When I am having a client relationship, my interest is to make sure the client gets what he wants. A lot of people who are into advertising don’t even want to use the images for more than 6 months. But if they indicate that they want to use all over the world, say for twenty years, then you bill them accordingly. The usage matters and that is why I advise that you put this into consideration.

Even though it is a shoot that is for one scenario, it is the usage that determines the billing. It is based on what you have told me that it is to be used for a product [packaging]that I come up with my bill of N1.5 million. If they complain that “isn’t it just for a single scenario?” – I tell them If you have commissioned me to shoot the image for use on your product [branding] I cannot restrict your usage in terms of location (country), time duration or even format. In that case it will even be a disservice not to give them the rights, but your client should know that different types of usage attract different kinds of fees. It is as simple as that.

Once an oil company called me to do a shoot for their oil rig. After we had discussed on the fees, they were like after the shoot is done, I will sign a relinquishment of all rights to the images. I said in that case therefore the agreed bill then increases by 800%. If I am not to have any relationship with my work forever after, even to put it on my website, then I will bill you for it. I ended up not working with them and I was very glad I didn’t.

I think what we do serves a purpose beyond just taking photographs. We are people with opinions. As a photographer, you are a storyteller, a chronicler of history, and our work also promotes social engineering and influencing culture.

For me, photography is your first impression. When someone says Nigeria has a bad image, I take it very literally. What Nigeria has is bad imagery. Bad photography. We do not have enough people being patronized by the right people. So you may visit the Nigerian embassy in France and see booklets about Nigeria, full of tourists’ photos, pixellated because they were stolen off the internet, with absolutely no regard for the photographer, while at the airport in Capetown, I see uncountable numbers of coffee table books in a mad duplication of excellence. Amazing South Africa, so many [different] books [with pictures] taken by excellent photographers who have spent hours trying to duplicate (recreate) these images over and over again!

This reflects in their economy as people see the place [South Africa] and keep trooping there in spite of the violence. We haven’t even started [over here] with photographing our environment – I tell you! It’s amazing!

Could you explain your typical workflow from when a client engages you to when you deliver the images?
The first thing is you get a call. Usually it goes like, ‘’Mr K, we have this brief we want you to shoot – please can we know the price?’’(The price is the first thing they jump to…) continues ‘’It’s not a complicated concept, can you tell us how much you will charge?’’ I will respond that at this stage I don’t think we should be talking about price, but you can send me a written brief of the concept so I can go through it to see if it is what I can deliver to you adequately.

So I stall, and if they are people I have not worked with before, I try to set up a meeting to discuss their concept. Because whoever is on the other side [of the phone] is probably comparing your price with those of others he has written down on the paper in front of him. To him you are just another photographer over the phone, until they see how you are going to execute their brief and solve their problem. I believe this is more important than the price I am going to charge.

So when we meet, and I see the brief, I will itemise what is needed (costs) e.g location and let them also know the latitude of the most extreme scenarios (unforeseen) of the cost of equipment and time! At this point, they may say “it’s just three people smiling!”… I say that means three scenarios and this is what is required, the lighting needed, the method of making them smile and so on, the casting for the kind of feel needed and even for the seemingly simple smiling requires the right type of model.

So through it all I am trying to bring my own expertise into the brief and by the time we are through [discussing] I give them the bill and tell them they have to pay 75% – 80% upfront or we don’t have a deal. (Ad Agencies can make thirty days turn to sixty days and you start wondering, has their client paid them? And they could have been paid a long time ago and be telling you that they are still being owed).

So we establish with the client that they are ready and the date agreed is solid. When they come for the shoot, when it’s done, we have a little time for re-touching (most ad-agencies want to do their re-touching themselves) and then we look through the images and give them the best ones in high resolution.

And if you are shooting PR images for an individual say maybe an artiste, again it starts when they call, concept is discussed and we set up a date and they pay their cheque. On the day of the shoot, we do our work and we give them low resolution files that are watermarked ‘for view only’ for them to review in the comfort of their home and decide the specific ones (up to the number that comes with the package) that they want (I rarely go beyond 20 images), so that we can edit them.
For weddings and events those now include physical media like books and even CDs that will attract different prices.

How do you market to get your clients?
I’ve found out there is no better marketing than referrals [from satisfied clients]. Unless you want to do mass marketing and you have a factory of photographers that cater for everyone. You are the premium brand. You are not just a commodity, you are a brand. It is each person that has experienced your work that goes to tell 10 other people that you are good. So the dilemma now becomes how do you convince someone who has previously used a service similar to yours for N150,000 to pay N1.5 million? Well I could include a discount say 20%, but I never start negotiating without a rock bottom walk-away price that I will not go below in my head already.

The way to become a brand that attracts premium fees is as simple as this: be a promise-keeper over and over again. Let everyone that uses your services always come back when they see that you have over-delivered beyond their expectation. And it’s not just coming back alone but telling others with passion about how they think they underpaid you the worth of your work. So my best advertisers are my clients who I have paid for their advertising by giving them more than they came expecting to get. I will not charge N5, but if I charge N2 million I will make sure he [the client] gets quality work that he cannot bring Nick Knight from New York for N10 million to do! That will leave him wondering, did I underpay this guy?

Even if it is a free job, forgetting about the money, make sure you convert that client to a moving billboard. Whatever you do, make the client happy and satisfied. Also some clients may not be happy with their job, and I may even offer them a refund until I find a way to give them the satisfaction needed. It is all about integrity and client satisfaction and once people know that is what your brand is you can charge whatever you want.

What do you want to tell newbies in the photography industry?
Passion is required! But passion is not enough. You must understand that this is not a lazy man’s job. So it is passion that makes you do all the [grunt] work happily and gives you advantage over the person who lacks passion.

Some just want to photograph beautiful ladies without understanding the details of how the camera works and all that.. the physics, the mathematics and f-stops and all that doesn’t make it so seem so glamorous. So fiddle with the camera and learn how it works and if you are sure that this is what yo want to do, do not sleep – shoot!

With every squeeze of the shutter release, you must strive to take a better shot than the last. Put in your all. If it was easy , everybody will be good at it. If you have passion for it, you will succeed.

What where you attempting to achieve with the introduction of MANIA magazine?
It is one of my projects that developed out of frustration. I love shooting fashion, though the local fashion industry is not as lucrative as the other advanced economies that have understood the economies of scale. They can design a shirt and Prêt-à-porter & 2 million units of it are sold in one week. Crazy amount of money! The Dolce & Gabbanas are dressing the world in jeans, selling belts and perfumes. So on the catwalk they are merely having fun, the big money is in the factories in China churning out their products. So when it comes to paying a photographer they don’t bat an eyelid paying you N200 million!

Over here the industry has just started and it’s lacking that kind of energy and money. But I love fashion. A lot of the magazines cannot afford the work I would love and that made me feel limited. So I created that magazine to open that creative box to show what is possible so I could break the glass ceiling above my head. So far it’s been beautiful, tough but beautiful. We were publishing bi-monthly before but now we are going monthly.

What final words do you have for fans & clients that are watching/reading this?
Do what you love, work at it! But don’t ask me for pocket money!

To view more of Kelechi Amadi-Obi’s works, visit his website at www.kelechiamadiobi.com

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For tips on growing your photography business, like our fecebook page (www.facebook.com/elophotos) or add us on ur bb: 271E3BC8

Sample Contract for Event/Wedding Photography


I’ve had a few photographers ask me for a copy of the contract/agreement we give couples to sign before we cover their celebration. I decided to put it up here knowing it might help to “enlighten” potential clients also. You’re free to use and adapt to your specific needs. It will help reduce the conflicts between photographers & clients after the pictures have been taken.

Agreement for Wedding & Event Photography

eloPhotos Studio Enterprises hereby agrees to photograph the wedding of

On December 30, 2008 & January 3, 2009.

Bride’s Name:Groom’s Name:
Date of Birth: _____________________Date of Birth: _____________________
Venue of Engagement: __________________________________________________________Time:
Venue of Church Wedding: ________________________________Time:
Venue of Reception: __________________________________________________________
Couple’s Future Address ________________________________________________________________________
Bride’s GSM:                                         Groom’s GSM:

Description of Photographic Services to be Provided
20 hours/2days of photography coverage, 1 60-page magazine-style album, 2 13” by 19” framed pictures, and uploading of pictures to http://www.eloclients.com

Charges: The package fee is based on the Photographer’s Standard Price List and includes the photographs described therein. If the fee is not based on a package but is a session fee, all photographs shall be billed in addition to the fee and in accordance with the Standard Price List. In addition to either the package fee or the session fee, the extra charges set forth below shall be billed if and when incurred.

[ * ] Package Fee (1 60-page album, 2 13”by 19” frames) ………………N220,000

Extra Charges (when incurred)
8” by 10” glass frames ……………………………………………………………………….. N5,000
Extra Album………………………………………………………………….N70,000
Special retouching (per extra picture ordered)…………………………………………… N1,500
Overtime (per hour)………………………………………………………………………………. N3,000
13” by 19” canvas frame N15,000
SubtotalN220,000
Less depositN100,000
Balance DueN120,000

Balance Due Date: December 16, 2008N80,000
February 2, 2009N40,000

Package Delivery Date: Album pictures shall be uploaded to http://www.eloclients.com on February 2, 2009 by 12noon. The album shall be printed and delivered not later than one week after the pictures have been approved by the bride & groom.

The parties have read the conditions of this Agreement, agree to all its terms, and acknowledge receipt of a complete copy of the Agreement signed by both parties. Each person signing as Client below shall be fully responsible for ensuring that full payment is made pursuant to the terms of this Agreement.

Bride’s Signature__________________________ Groom’s Signature _____________________________

Photographer ________________________________________ Date _____________________

This Agreement is subject to all the terms and conditions on the following page (please read carefully):

1. Exclusive Photographer. The Photographer shall be the exclusive photographer retained by the Client for the purpose of photographing the wedding. Family and friends of the Client shall be permitted to photograph the wedding as long as they shall not interfere with the Photographer’s duties and do not photograph poses arranged by the Photographer.

2. Deposit and Payment. The Client shall make a deposit of N50,000 to retain the Photographer to perform the services specified herein. The balance shall be due 3-4 weeks before the date of the event. Refusal to pay the balance before the date of event will result in delays in the date of delivery of the album (s). No part of any order will be delivered or uploaded to the internet until payment is made in full. If the Client refuses to pay the necessary deposit within thirty (30) days after the event, Client shall be in default hereunder and shall pay 5% monthly interest on the unpaid balance until payment is made in full. Payments shall be made either in person or cheque/cash deposit into our Guaranty Trust Bank account 211-744703110 under eloPhotos Studio Enterprises.

3. Order Changes. Once a service is chosen or an order is placed and all necessary payments made, the sale is final and nonrefundable. No verbal changes will be accepted. Any schedule or order changes must be documented, submitted, and signed by both the contracting party/parties and the eloPhotos for confirmation and mutual authorization.

4. Cancellation. If the Client shall cancel this Agreement sixty (60) or more calendar days before the wedding date, any deposit paid to the Photographer shall be refunded in full. If Client shall cancel within sixty days of the wedding date and if the Photographer does not obtain another assignment for that date, liquidated damages shall be charged in a reasonable amount not to exceed the deposit.

5. Photographic Materials. All photographic materials, including but not limited to negatives, transparencies, proofs, and previews, shall be the exclusive property of the Photographer. The Photographer shall make proofs and previews available to the Client for the purpose of selecting photographs. The Photographer may, with the Client’s permission, make the proofs available on a Web site or CD-ROM.

6. Copyright and Reproductions. The Photographer shall own the copyright in all images created and shall have the exclusive right to make reproductions. The Photographer shall only make reproductions for the Client or for the Photographer’s portfolio, samples, self-promotions, entry in photographic contests or art exhibitions, editorial use, or for display within or on the outside of the Photographer’s studio. If the Photographer desires to make other uses, the Photographer shall not do so without first obtaining the written permission of the Client.

7. Client’s Usage. The Client is obtaining prints for personal use only, and shall not sell said prints or authorize any reproductions thereof by parties other than the Photographer. If Client is obtaining a print for newspaper announcement of the wedding, Photographer authorizes Client to reproduce the print in this manner. In such event, Client shall request that the newspaper run a credit for the Photographer adjacent to the photograph, but shall have no liability if the newspaper refuses or omits to do so.

8. Failure to Perform. If the Photographer cannot perform this Agreement due to a fire or other casualty, strike, act of God, or other cause beyond the control of the parties, or due to Photographer’s illness, then the Photographer shall return the deposit to the Client but shall have no further liability with respect to the Agreement. This limitation on liability shall also apply in the event that photographic materials are damaged in processing, lost through camera malfunction, lost in the mail, or otherwise lost or damaged without fault on the part of the Photographer. In the event the Photographer fails to perform for any other reason, the Photographer shall not be liable for any amount in excess of the retail value of the Client’s order.

9. Photographer. The Photographer may substitute another photographer to take the photographs in the event of Photographer’s illness or of scheduling conflicts. In the event of such substitution, Photographer warrants that the photographer taking the photographs shall be a competent professional.

10. Inherent Qualities. Client is aware that color dyes in photography may fade or discolor over time (usually after 20yrs) due to the inherent qualities of dyes, and Client releases Photographer from any liability for any claims whatsoever based upon fading or discoloration due to such inherent qualities.

11. Photographer’s Standard Price List. The charges in this Agreement are based on the Photographer’s Standard Price List and are only guaranteed once deposit is made. This price list is adjusted periodically and future orders shall be charged at the prices in effect at that time.

12. Client’s Originals. If the Client is providing original prints, negatives, or transparencies owned by the Client to the Photographer for duplication, framing, reference, or any other purpose, in the event of loss or damage the Photographer shall not be liable for an amount in excess of N2000 per image.

13. Miscellany. This Agreement incorporates the entire understanding of the parties. Any modifications of this Agreement must be in writing and signed by both parties. Any waiver of a breach or default hereunder shall not be deemed a waiver of a subsequent breach or default of either the same provision or any other provision of this Agreement. This Agreement shall be governed by the laws of the Federal Republic of Nigeria

Sample Wedding & Portrait Price List/Packages


Attached is a copy of the OLD list of different packages we offer wedding and portrait clients. It is very crucial for a professional photographer to have a STANDARD price list and not just randomly give five different clients different prices for the same product. Use this as a guide to draft yours. It’s up to you to decide whether or not you want to give a client a discount. Just make sure you’re not short-changing yourself. Enjoy

eloPhotos Price list for 2009

WEDDING PACKAGES
Paparazzi Package
1 45-page magazine-style leather-bound customized album
1 day coverage (10hrs),
1 Photographer
2  8” by 10” glass-framed pictures
Pictures on our clients’ website (www.eloclients.com)                             N200,000

Glamour & Glitz Package
1 magazine-style leather-bound customized albums (60 pages)
2 days coverage (20hrs),
1 Photographer
2   8″ by 10″ glass-framed pictures
2  13” by 19” framed pictures
Pictures on our clients’ website (www.eloclients.com)                             N290,000

Red Carpet Package
2 magazine-style leather-bound customized albums (45 pages each)
2 days coverage (20hrs),
1 Photographer
2   8″ by 10″ glass-framed pictures
2  13” by 19” framed pictures
1 multimedia VCD
Digital Negatives on CD
Pictures on our clients’ website (www.eloclients.com)                             N360,000

Paradise Package
1 magazine-style leather-bound customized album (90 pages)
2 days coverage (20hrs),
2 Photographers
2   5″ by 7″ glass-framed pictures
2   8″ by 10″ glass-framed pictures
2  16” by 20” framed pictures
1 multimedia VCD
Digital Negatives on CD
Complimentary Pre-Wedding Session
Pictures on our clients’ website (www.eloclients.com)                             N420,000

FAMILY PORTRAITS
Package 1
2-3 hrs Session @ any location in Lagos state
2  13” by 19” framed picture
1  16” by 20” framed picture                                                                    N100,000

Package 2
2-3 hrs Session @ any location in Lagos state
4  13” by 19” framed picture
2  16” by 20” framed picture
1  20” by 24” framed picture                                                                    N200,000

Package 3
2-3 hrs Session @ any location in Lagos state
4  8” by 10” glass-framed picture
4  13” by 19” framed picture
4  16” by 20” framed picture
2  20” by 24” framed picture
1  30” by 36” framed picture                                                                    N370,000

OTHERS FEES
Pre-Wedding Photo Session
20,000

Makeup per person
7,000

Leather Album
70,000

Customized Standard Album
110,000

Event Coverage (4hrs)
70,000

Extra Photographer per event (10hrs)
50,000

Multimedia VCD
7,000

5 by 7”   Glass-framed Picture
5,000

5 by 7”   Canvas-framed Picture
6,500

8 by 10” Glass-framed Picture
7,000

8 by 10” Canvas-framed Picture
8,500

10 by 12” Framed Picture
9,000

12 by 16”     “         “
15,000

13 by 19”     “         “
19,000

16 by 20”     “         “
30,000

20 by 24”     “         “
45,000

30 by 36”     “         “
82,000

36 by 48”     “         “
104,000
Travel allowances apply for coverage outside Lagos state & Nigeria. Please contact us to make other enquiries that are not mentioned above.

Basic Course in Photography (January 2012 – April 2012)


At eloPhotos Academy, our ultimate goal is to raise world-class photographers. We do this through a series of workshops, trainings, and internship programs. You van visit out youtube channel (www.youtube.com/elophotos) to watch videos on a few photography topics. Contact us to learn more about our other trainings.In this course, you’ll learn how to:* develop technical proficiency with your camera
* create impact with your photography
* compose pictures
* develop your style
* effectively tell a story with photography
* be a master of “light”
* effectively photograph people
* know the right equipment to use for any situation
* make a good income in photography
* edit images using Adobe Photoshop CS5
* correct tone & color using Adobe Photoshop CS5
* produce outstanding printed images
* effectively market and brand yourself as a photographer
Set 8
January 23 – February 1, 2012 (8 Weekdays)
9am – 2pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes January 16, 2012 or when class limit of 20 students has been reached
Set 9
January 21 – March 3, 2012 (7 Saturdays)
9am – 3pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes January 16, 2012 or when class limit of 20 students has been reached
Set 10
March 19 – March 28, 2012 (8 Weekdays)
9am – 2pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes March 1, 2012 or when class limit of 20 students has been reached

Set 11
March 24 – May 5, 2012 (7 Saturdays)
9am – 3pm
Maximum of 20 students in a class
Course fee: N150,000
Registration closes March 12, 2012 or when class limit of 20 students has been reached

Send an email to info@elophotos.com to get a copy of the application form. Download the form, print, fill and bring it on the first day of class to the venue with two passport photographs along with the teller of the bank deposit. For further inquiries, contact us on 234-8101590358, 234-8120129149, 234-8191474348 or info@elophotos.com

You can also visit our Facebook page www.facebook.com/elophotos for more information

For the course, it is recommended that you bring your laptop for editing your pictures

Refreshment & Course materials will be provided along with a professional digital SLR camera for each participant for practice sessions. Please note that the camera is for practice purposes during the training and would not be taken home by participants

Payment should be made into out Stanbic IBTC account 7200147969 (eloPhotos Studio Enterprises) or our GTB account 211744703110 (eloPhotos Studio Enterprises)

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TESTIMONIALS

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The basic course in Photography is the best thing that has happened to me this year. When I decided to take the course, I didn’t know what to expect, but now, I must say it has been worth my while. I have learnt so much already I can’t wait to go out there and start making magic through pictures. Big ups to Emmagination, Damilola “DAMELL” Elliot & Shola Animashaun, they really inspired me. Please, keep up the good work.

Desi Okiemute

I have always thought of photography as a form of artistic creative expression. When I first began using a camera nearly 30 years ago, I always wanted to be able to take pictures that showed the beauty and variation that is the life experience all around us at all times. After the uncertain results that came out of my self taught efforts over the years, I finally got the opportunity for proper lessons with the Basic Course in Photography offered at eloPhotos Training Institute. After the first 3 lessons, I had already learnt some critical lessons that will enable me take the kind of pictures I have only previously dreamt of taking.”Painting with light”! That is a definition I have gained from the course.The course is a relaxed, practical and interactive one with several tips from experienced photographers. Very commendable training! Now it is up to me to decide to what level I want to take my photography – competent beautiful pictures as an amateur or as an artistic professional!

Dr. Olayinka Longe

I really enjoyed the business aspect of the training. The lectures on character, integrity, packaging, good customer service and branding were awesome. In a nutshell, it was a wonderful decision I made by attending the training because I absolutely got more than my money’s worth.

Oloyede Afolabi

eloPhotos is the place to be. Within the 8 days of the training, I’ve been able to acquire sound technical and theoretical skills in photography. The training package is so educative such that all the ingredients necessary for growth and development are included. I especially enjoyed the Branding and Marketing aspect of the training. In fact, I have decided to inform all my relatives and friends that they should not bother trying to get me a job in the telecommunications, or banking and oil industry; I’ve finally gotten a JOB.

Olumide Oshikominu

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…raising world-class photographers