Today’s episode is dedicated to all the new photographers that have decided one way or the other to be an intern or assistant to a present photographer they respect. There are some rules I feel we all need to be aware of, so that none of us are in default of things we don’t know about.
First of all, if you have decided to become an apprentice, you should consider spending a minimum of three to six months. This should be enough time to learn the basics and hopefully give you a good foundation for your own photography business.
Once you have chosen who you want to work with, you should meet with the person and discuss all the possible rules that the photographer has. Some rules may seem funny but don’t blame them. It’s because of their experiences that they have set certain standards and rules that have worked for them.
For example, at eloPhotos we don’t have any public holidays. For some apprentices we have worked with in times past this really hurt them as they felt like, ‘Christmas day? Shouldn’t I be with my family?’ I feel it’s ok that for celebrating Christmas, we choose another day because we get jobs on Christmas day, like family portraits, weddings and so on that we have to cover and I can’t tell clients, who are ready to pay, ‘sorry, I don’t work on new year’s day!’
There are some other funny rules; like certain photographers will tell intending apprentices that without the apprentice having a camera, they can’t work with them. I don’t blame them either as previous apprentices they have worked with have destroyed their cameras.
Know all the rules and follow them to the letter.
Secondly, be conscious about how you talk about your new mentor. Know this upfront, there is no photographer or person that is perfect. A lot of us have flaws we are dealing with. You might have a professional photographer that’s temperamental. Be conscious of not discussing the weakness of your new boss with others. This is like sowing seeds for when you become the boss of your own business and you have apprentices under you. If there are issues you need to address with your boss, talk to him/her and not to outsiders.
Thirdly, (and this is one of the most important) if you are on a photography assignment, with or for your boss, all the rights for the pictures you have taken belong to that professional photographer even though you took them with your own camera. So even though this might seem difficult, (and you might be planning to use pictures you take for your own marketing purposes), all the pictures belong to him (I.e. Your boss) especially when he/she is paying you for it.
Many photographers have experienced this kind of scenario where the assistant uploaded the pictures from an assignment to their own personal website the day after the assignment. That’s why they (the professional photographers) won’t call on some assistants anymore.
Here’s my personal example: It was at a Christmas carol, I covered this for a colleague of mine. I took many great pictures at the event that included guests like an ex-president -[Gen Gowon rtd] and it made me feel somewhat bad that I wouldn’t be able to use those pictures as I would love to. It was a contract, and both parties understood the rules. As painful as it felt, I gave all the pictures to my colleague as the owner [of all the rights]’
At this point, please stay tuned for [our weekly segment] the photographer of the week [Samuel Ijiyokunola – Living moments photography]
Excerpts from youtube video
‘I used to work with an NGO with a focus on HIV/AIDS –treatment and education.’I enjoyed my job. When on field programmes, I took the pictures for our reports. When it was time to move on, I did. I knew I wasn’t going to pick up another paid job. Rather, I was determined to earn a living from my passion. I decided for photography and although the knowledge I had about it then could not give me the confidence to charge fees in hundreds of thousands for covering your wedding or for family portraits.
I knew I needed training. So I was asking around for where I could train. While in church, [Daystar Christian Centre] on a Sunday I picked up the church bulletin where a Skill Acquisition Programme was being announced. I put in my application and was among the chosen few.
It was at this training I met great minds like Siffre Abayomi, Damilola Elliot, Sola Animashaun, Segun Adebiyi, the effervescent Leke Adenuga, Ephraim Makati and my coach Seun Akisanmi. All of them were saying the same thing: ‘I am a professional photographer.’
I said to myself, ‘Sammy, you didn’t make the wrong choice!’
After the two-week training, I opted in for additional training and luckily I won the scholarship to the apprenticeship programme with eloPhotos. It was a wow experience.
Here’s to the trainees in eloPhotos presently: ‘Your boss, my coach [Mr Seun] is a Very Good-Badt Guy!’ He told me and some of my colleagues few days after we resumed the apprenticeship to pick our choice of camera [from his arsenal] and practice all we wanted because there was a wedding event that very weekend that we were going to cover.
That wedding was my first baptism. While I was trying to get an aerial shot of the groom’s entrance into the ceremony, I mis-stepped and my trouser pants ripped. Mr Seun asked to me keep going on, and so for the next three hours or so I continued covering the wedding, because at a point I didn’t even remember I had a tear in my trouser!
From then on, I kept enjoying it more and more as my knowledge in photography grew, sealing the fact that this was where I belonged. I had learnt a whole lot after the 6-month apprenticeship
He [Mr Seun] being someone who lets it all out without hiding [knowledge], guided me and my colleagues on starting out, and under his tutelage I founded Living Memories Photography where I am now the lead photographer.
“It’s been good, it’s been gracious and it’s also been ugly” I had a time once when I woke up thinking, ‘Sammy, aren’t you going to get a supporting career?’ But it’s at times like that I resolved and put my feet down! So I went out and while at a shopping complex that day, I decided, I wanted to have an exhibition!
So I told Mr Seun about it and he said, go ahead and plan for it! I didn’t have the money and even a camera as I didn’t own but rented cameras also from Mr Seun. I didn’t have prints ready to hold the exhibition with! Somehow, I got events where I got the pictures I used for the exhibition and it was just about the [penultimate] day or two before the exhibition that the money for it came.
It [photography] has been a learning curve. I learn from every job and event. A few days back a family had a joint party for the three girls (cousins) who shared the same birthday, different ages five, four and three years old.
Trying to get them all smiling and in the same shot seemed impossible, as per time it would be two smiling and the third doing something else entirely (like crying or frowning). One parent wasn’t helping by scolding them so I asked to be left alone and decided to try and take their pictures individually.
I had to do something; I started reciting rhymes and poems for them, and things that would interest kids. That was the first time I had to deal with three kids at the same time and somehow I learnt new tricks [that worked]. That’s how it has been for me.
I have a learnt a lot about how to relate with people.
Every day, I learn something new about photography, the business, packaging, pricing, negotiation, camera use, editing, and album design and so on. I read blogs and books, and watch videos and so on.
So all in all, it’s been fun!